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Director Haggis polarizes again with ‘puzzle’ of a film, ‘Third Person’

Thu Sep 12, 2013 4:38pm EDT

TORONTO (Reuters) – Controversial Canadian executive Paul Haggis is behind in Toronto with his latest feature, that might finish adult being even some-more divisive than “Crash,” his 2004 story of racism, adore and interlinking lives that won a Oscar for best picture.

In “Third Person,” that premiered during a Toronto International Film Festival this week, Haggis again creates a multi-character drama, this time exploring a themes of love, trust and guilt.

“This is an impossibly personal story, a approach ‘Crash’ was an impossibly personal story,” Haggis told reporters after a film’s premiere. “I acted several questions to myself, as we was going along, and they were all about being in adore with someone who is impossible.”

While audiences in Toronto responded good to a structurally formidable film, that tells 3 graphic stories travelling opposite Rome, Paris and New York, a critics have been cruelly divided.

Variety called a design Haggis’ “most strong to date,” while a Guardian reviled it as “a work of towering trash.”

The film outlines his initial vital press pull given a director’s high-profile separate with a Church of Scientology in 2009, a singular desertion among a church’s luminary round that includes actors Tom Cruise and John Travolta.

Haggis, 60, has been a polarizing figure given “Crash,” an garb play about secular and amicable tensions in Los Angeles, that dissapoint critically acclaimed happy cowboy play “Brokeback Mountain” to win a best design Academy Award.

The film perceived especially certain reviews and was a box-office success, though was also criticized for being overly nauseating and uncomplicated in a diagnosis of secular inequalities in America.

At a core of “Third Person” is Michael, played by Liam Neeson, a Pulitzer Prize-winning author condemned by expectations as he struggles to finish his latest book.

The parallels of Michael to Haggis, who won a best essay Oscar for “Crash” and was nominated for a screenplays for “Letters from Iwo Jima” and “Million Dollar Baby,” are obvious, nonetheless Haggis pronounced he put a bit of himself in all of a characters.

Neeson, who has spent a past few years doing movement films like a “Taken” array and “The Dark Knight Rises,” pronounced he jumped during a possibility to play a exposed and guilt-ridden man.

“I said, ‘Look, we don’t wish to disaster around with an accent and perform a character,'” pronounced Neeson. “I only wanted to be as vulnerable, and as open a Liam Neeson, as we could be – though still acting.”

Joining Michael in Paris is his most younger lover, Anna, a cold and infrequently officious nasty character, played by Olivia Wilde. Best famous for “Tron: Legacy” and a TV array “House,” Wilde was praised by The Hollywood Reporter for her performance, and in sold a noted tarnishing scene.

Also receiving a thumbs adult is Mila Kunis, who plays a New York mom fighting to recover control of her immature son from her ex, played by James Franco.

Rounding out a expel is Adrien Brody, as an American in Rome to take designs to make knock-off suits, and Israeli singer Moran Atias, as a Roma newcomer who is perplexing to giveaway her immature daughter from tellurian traffickers.


The thesis of relatives and children is pervasive via a film, with a executive characters all struggling to understanding with shop-worn family relationships.

Fans of Haggis’ interlocking story-telling character will be happy when a strings finally come together, nonetheless a film’s finale does leave viewers with questions – an ambiguity a Ontario-bred executive aspired to.

“I consider we should be creation some-more cinema for an intelligent audience, since we consider people wish intelligent movies,” he said. “What we wanted to do is a puzzle. we was unequivocally shabby by a good European directors.”

“Third Person” was constructed by Belgium studio Corsan and is Haggis’ third film to premiere during a Toronto International Film Festival – where he launched “Crash” in 2004 and “In a Valley of Elah” in 2007. It will be distributed in Canada by D Films Corp, though does not nonetheless have a U.S. distributor.

(Editing by Mary Milliken; Editing by Peter Cooney)

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