Maurizio Cattalan, Zoe Saldana join iconoclastic Vatican Biennale exhibition inside women’s prison

by | Apr 19, 2024 | Religion

VENICE, Italy (AP) — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel. It’s the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists.That Cattelan is the lead artist is striking, given that his provocative life-size wax statue of Pope John Paul II lying on his side, crushed by a massive meteorite, shocked Catholics when it was displayed at the 2001 Biennale. The new work, titled “Father,” is considered a thematic counterpoint to a performance piece he produced for the 1999 Biennale titled “Mother,” during which a religious ascetic was buried under sand, with only his hands clasped in prayer showing.
The Vatican’s culture minister, Cardinal Jose Tolentino de Mendonca, praised the work, which he said recalled the naked, dirty feet of Caravaggio’s saints, while also being highly symbolic of the journey behind the Holy See’s pavilion, showing “the desire to dirty one’s feet, to show that whoever has feet has a carnality.’’
Tolentino de Mendonca, prefect of the Dicastery for Culture and Education, said the Vatican did not want to shy away from artists or works that might be considered iconoclastic, or critical of institutions like the Catholic church.
“Pope Francis calls us to dialogue. Dialogue is not just with t …

Article Attribution | Read More at Article Source

[mwai_chat context=”Let’s have a discussion about this article:nnVENICE, Italy (AP) — A pair of nude feet — dirty, wounded and vulnerable — are painted on the façade of the Venice women’s prison chapel. It’s the work of Italian artist Maurizio Cattelan and part of the Vatican’s pavilion at the Venice Biennale contemporary art show in an innovative collaboration between inmates and artists.That Cattelan is the lead artist is striking, given that his provocative life-size wax statue of Pope John Paul II lying on his side, crushed by a massive meteorite, shocked Catholics when it was displayed at the 2001 Biennale. The new work, titled “Father,” is considered a thematic counterpoint to a performance piece he produced for the 1999 Biennale titled “Mother,” during which a religious ascetic was buried under sand, with only his hands clasped in prayer showing.
The Vatican’s culture minister, Cardinal Jose Tolentino de Mendonca, praised the work, which he said recalled the naked, dirty feet of Caravaggio’s saints, while also being highly symbolic of the journey behind the Holy See’s pavilion, showing “the desire to dirty one’s feet, to show that whoever has feet has a carnality.’’
Tolentino de Mendonca, prefect of the Dicastery for Culture and Education, said the Vatican did not want to shy away from artists or works that might be considered iconoclastic, or critical of institutions like the Catholic church.
“Pope Francis calls us to dialogue. Dialogue is not just with t …nnDiscussion:nn” ai_name=”RocketNews AI: ” start_sentence=”Can I tell you more about this article?” text_input_placeholder=”Type ‘Yes'”]
Share This